He pleads with every youth not to be lazy but hardworking. He trumpets “ Muntaashi” on this Cash Flow Riddim. He blends Hausa, Ga and the usual Jamaican tongue for Turn Me Up productions.Īnother new artiste who makes a vocal appearance on Cash Flow Riddim is Jadon Spice. The “ Dem Slow” hook to the riddim produced by Rony Turn Me Up is an addictive one to your lips. He is one new big surprise on this Riddim compilation. “Dagomba Girl” is one to listen to as Iwan describes how he feels meeting his perfect woman.Ĭaptan is a potential hit maker in the Dancehall fraternity and Rony Turn Me Up introduces him to every Dancehall music lover on Cash Flow Riddim. His music theme is so unique off the CASH FLOW RIDDIM. The song dubbed “ Dagomba Girl” is a sweet love song that reflects Iwan’s love for the Northern perfect woman. Here comes the lyrical Gideon Force boss, Iwan who praises his love for a Dagomba girl. Cash Flow Riddim on this mix from Jupiter represents work against laziness to succeed! The General of Dancehall chants “A work we are work, we no lazy, a work wi a work”. He spanks to the beat as a very hardworking Dancehall musician from a small beginning and now earning wealth. Jupiter also brings to fore his restoration energy to the dancehall music. He describes himself as the dancehall evil and Nima boss who is tougher and better in the dancehall business than any other contending artiste. Undoubtedly, he is unstoppable and his song praises him as one who “kills” every beat in the dancehall genre. Rudebwoy is a true talent who flies the Rudest Movement (RM) and Dancehall. The Shatta Wale music piece of Cash Flow Riddim is a jam for every dream chaser. He has been the “Nkrumah” of the Dancehall genre fighting for the independence and welfare of Dancehall
The Shatta Movement General, Shatta Wale proves his delivery with a strong expression of his love for money and dancehall. Every featured artiste on this compilation delivers a unique theme to this riddim produced by Rony Turn Me Up.Ĭash Flow Riddim features the Dancehall King Shatta Wale, the gifted Jupiter, silky voice Luther, Gideon force General Iwan, and breeds of new acts like Rasheed Metal, Captan and Jadon Spice. Interestingly, most artiste in different genres even try to have a Dancehall piece in their albums and this is a clear revelation to how influential the genre has dawn on many established and upcoming talents.Ĭash Flow represents the wealth from dancehall music. Undoubtedly, dancehall music is a money making genre now,” Rony Turn Me Up confessed to GhanaGist.Com. Many entertainment critics can testify that, the best commercial artistes currently in the country are dancehall artistes. “The dancehall genre has been accepted by the masses and this Cash Flow Riddim compilation is to prove how lucrative the genre has grown on these artistes. In the meantime, we’re left with a quality album, and I get to say that far too rarely to take it for granted.The La based producer, Rony Turn Me Up with a produced repertoire of popular hits like “Anaconda” by Tinny, “Let’s Party” by Eazzy featuring Kwaw Kesse, “Why Worry” by Jupiter and “Party Started” by Shatta Wale is out with his second official Riddim dubbed “ Cash Flow Riddim” under his Turn Me Up Production Label. But if he wants to go down as one of the GOATs, he still needs that classic album, that Ready to Die, that GKMC.
If Wale goes down in hip-hop history as a gifted emcee who also made some hit songs, there are a million rappers who would kill for those stats. The Gifted is a collection of tracks from an unarguably talented emcee, but the point at which a collection of music becomes an album, a singular work with a focus and unity strong enough to truly make an impact, Wale still hasn't reached that point. But the cost of that versatility is focus. When you’re dope enough to sound dope rhyming on everything, you end up rhyming over everything. Call it the blessing and curse of true talent. Cole, Kendrick, etc.-Wale doesn't have a distinctive sound. Ultimately though, as much as I try to focus on the present and forget about the past, listening to The Gifted sounds like listening to an artist who still doesn't really know who they are as an artist. But the truth is bangers just aren't his strength, and what’s wrong with wanting to hear someone at their strongest? If he can make a booty-shaking anthem as good as "Pop That," I’ll take it. For the record, I’m not interested in something as cliché as wanting Wale to only make “conscious” records.
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